My friend Ira Berkow visits art galleries in New York, where he lives and writes, and in other cities when he travels. But Ira is no dilettante. When he looks at a canvas, he distills what will help him on the page.
“A painter can convey a lot with just a brushstroke,” says Ira, a former New York Times columnist, Pulitzer winner, and author. “Once I saw a Rembrandt at the Cleveland Museum [of Art], and there was an old man in the distance in the painting, and what said ‘old man’ was the prominent veins in his hands.
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